Google+ more

Zigelbaum + Coelho "Computational Materials"

Reception and Artists' Talk to celebrate the opening of Resolution 

New exhibit at The Tech Museum

Partially funded by a grant from the John S. and James L. Knight Foundation

Wednesday, September 12, 2012

7:00 - 9:00 p.m.

The Tech Silicon Valley Innovation Gallery

Limited number of tickets available.
Tickets:  $10/$5 members
No host bar.
Join contemporary art duo Zigelbaum + Coelho for the opening of Resolution, their newly commissioned work at The Tech Museum. The artists will introduce this new highly interactive and social piece with a talk describing the state of the art in materials and practices in tangible media. Learn how emerging forms of "computational materials" will allow visitors to explore, play, and create dynamic light compositions from the piece's 200 magnetic, physical pixels.

Artists' Talk:

A new class of objects has emerged — viscerally interactive and embedded with computational tools. As computers permeate whole new ecologies of connected physical objects, the language of interaction now finds itself entirely intertwined with tangible things. 
In this presentation, polymath art duo Zigelbaum + Coelho will describe their approach to the physicality of computation. Discover how new modes of interaction are enabling the human body to become an integral part of the computation and communication process. Learn how materials with embedded computing are permeating human interaction — at micro and macro levels — and how this is reshaping the art, design, and technology trichotomy. 

From the Artists:

"In this world one can program computers to display patterns of light by using a series of tools to modify the electrical flow across doped silicon and one can program copper to display a green patina by applying acetic acid and a healthy dose of waiting around. Both of these programmatic behaviors have components that could be considered digital or analog. The polarized light seeping through the liquid crystal gateways enabling our ubiquitous display surfaces is as analog as any glimmer of sun off a car hood and the chemical mechanism of verdigris, some discrete changes of electron configuration across orbitals during oxidization, is as digital as the pits and valleys encoding music on the active surface of the 1986 compact disc pressing of Kraftwerk’s Computerwelt.